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Wednesday, 1 October 2014

CREATING THE CRITS - a guest post by Emma Silver

Today I have the pleasure of welcoming fellow Crooked Cat author Emma Silver to my blog.  Her latest novel, Blackbrooke III: King of Queens (the third book in her Blackbrooke trilogy) will be released on 14th October 2014.




Welcome, Emma!  Over to you...



Creating the Crits

I always wanted to write something that would scare my readers. We live in an age where very little frightens people. With the emergence of realistic video games and awesome special effects in movies, we’ve become somewhat desensitised. 

Yes, everyone’s fast to blame the hyperrealism of the media. However, I believe we’re not scared because everything has been…well, done. 

We’ve seen and read it all: ghosts, vampires, werewolves, witches etc. Is there anything left? 

Blackbrooke started out as another tale of folklore. The town was inhabited by all of the above and I wrote the whole book that way. It was only when I sent it to a prominent literary agent that it evolved into what we have now. 

Although she politely turned down the thrilling opportunity to represent me, she gave me the best constructive criticism of my life. Apparently, vampires et al equals a yawn fest in young adult horror. 

I didn’t want to go back to the drawing board, but she was right. Instead I had a good long think about my fears. 

As I child, did I believe witches hid under my bed? Were werewolves lurking at the bottom of the stairs when I turned the light off behind me? 

Of course not. So, what did scare me? 

When I woke up in the middle of the night and screamed for my parents to come, I always rambled about the same thing: 

Monsters. 

Different for every child, but every bit as scary. 

With this in mind, I created my own monsters for Blackbrooke and they became an amalgamation of everything I hated: 

Sharp teeth. Check.
Long necks. Check.
Red eyes. Check.
Hunched shoulders. Check. 

I made my own fears come to life and the reaction from the readers has been incredible. Some told me they felt genuine fear going to bed after reading the books, with others even having nightmares.

Don’t get me wrong, I’m not proud of terrifying my good reader folk, but I can’t say I’m not pleased I’ve managed to reawaken the fear of the monsters under the bed. 

I sometimes wonder whether I could have evoked the same reaction if the Crits were still vampires. 

I very much doubt it. 



Blackbrooke III: King of Queens is released 14th October, courtesy of Crooked Cat Publishing.

You can follow Emma on Twitter @emma_silver or head to her blog emmasilverauthor.blogspot.co.uk.

Friday, 26 September 2014

Book Review: SQUARING CIRCLES by Carolyn Mathews





Free spirit Pandora is shaken by the sudden death of her mother and the presence of a mysterious stranger at the funeral. When her mother’s grave is disturbed, she turns detective and finds herself drawn into a world of intrigue, centring round a devious couple’s plot to exploit a healing circle for their own ends. Her partner Jay’s collaboration with a sexy singer and her own encounter with an old flame add to the confusion. Will she succeed in her quest to restore equilibrium to her family circle or will the decisions she and Jay make set them up for more heartache?



I was given a copy of this book in return for an honest review.  And I loved it.

This story has it all: family secrets, family crises, intrigue, duplicity, legend, magic, mystery…  I love the way the author has cleverly blended the many and varied forms of spirituality into the everyday lives of the characters, skilfully demonstrating how thin are the veils between this world and the dimensions beyond. 

Carolyn Mathews’ writing is fast-paced and beautifully readable, with a great sense of place and a cast of truly believable characters.    I won’t go into details about the story itself as I don’t want to give away any spoilers, but suffice it to say that I was hooked from the first page and was genuinely sorry when I reached the end.  By that time, I felt as though the characters had become firm friends, and they will stay with me for a long time.

Highly recommended.




Carolyn Mathews' English Language writing and teaching career included a stint with a class of 'Harry Potter' extras at the local Warner Bros. studio, Hertfordshire. With so much magic in the air, it's no wonder she now writes fiction with more than a hint of the supernatural.

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If anyone wants an autographed copy they can email Carol. The address is on the contact page of her website.
 

Friday, 19 September 2014

THE GRAPES OF FROTH



Despite a fairly unpromising spring and early summer, our vines still managed to produce a pretty impressive crop of grapes this autumn.  This may not seem such a big deal for those of you living in warmer climes, but in view of the fact that we live on the northern tip of Cheshire, to be able to harvest any sort of exotic fruit at all is quite an achievement.

For the past few years we've kept a few of the choicest bunches to enjoy as table grapes, and have then turned the rest into grape jelly which livens up our breakfast table throughout the depths of the English winter.  

As with my marmalade recipe, I make the jelly in the microwave.  For anyone who wants to have a go at making your own, this is what I do.  I'm using grapes here, but the process is the same for any sort of soft fruit.  The timings are based on a 700W microwave oven, and all settings are HIGH throughout.  As a rough guide, each 2lb (approx 1 kilo) of fruit produces four jars of jelly.  

First of all, rinse the fruit and get rid of any thick stalks, but without being too fussy about it. Weigh the fruit and put it into a preserving pan or large saucepan.  





To each 2lb of fruit add one pint of water.  Bring the mixture to the boil, stirring and crushing the fruit with a wooden spoon.  Reduce the heat and simmer the mixture for 10-15 minutes until it reduces to a pulp.  






Put the pulp into a jelly bag and leave it suspended over a bowl to allow the juice to filter through.  This normally takes 1-2 hours (or you can leave it overnight if you prefer).  




Please resist the temptation to squeeze the bag to speed up the process - this will result in your jelly being cloudy.  Instead, take advantage of the break to do something different. Such as read one of my novels.  Click on the book covers on the right to find out more.

When the bag has stopped dripping, discard the pulp and measure the quantity of the juice which has collected in the bowl.  For each pint of liquid allow 2lb of jam sugar. Please note: ORDINARY SUGAR WON'T DO.  Jam sugar contains extra pectin, which means that your jelly will set with much less boiling and much less effort.




(Other brands of jam sugar are available)

Put the juice into a LARGE microwave-safe bowl.  The bowl needs to be no more than one-third full when cold, because the jelly will expand quite furiously as it boils.  If you have ended up with a lot of juice, you may find that you'll need to make the jelly in more than one batch.




Add the sugar, stir well, then microwave for ten minutes.  Stir well, then microwave for another ten minutes.  Stir again, then test the jelly by dipping a fork into it.  




If the jelly clings to the space between the prongs, it is ready.  If not, microwave again for another two minutes then test again.  Rinse and repeat as necessary.  Don't be deceived by the fact that at this stage the stuff will still look very runny - trust me, it will set as it cools. Do not overboil the jelly or it will set like concrete, and you won't be able to do anything with it except possibly give it to someone you don't like very much.

Put the jelly into clean jars and label them.  Throw the bowl and all the other odds and ends into the dishwasher, make yourself a cup of tea, put your feet up, and finish reading my novel.




Oh - and don't forget to spread the stuff on your toast in the morning.





Tuesday, 16 September 2014

Turning Histories into Histoires

Today I'm the guest of fellow Crooked Cat author Jane Bwye, talking about using family history as a basis for writing fiction.

Click here to see what I have to say.

Saturday, 16 August 2014

Lifting the lid on the editing process

Today I'm the guest of fellow Crooked Cat author Carol Hedges, talking about the role of the editor.  

If you want to find out more, click here.

Friday, 15 August 2014

Guest of the RNA

Today I have the honour of being the guest of the prestigious Romantic Novelists' Association.  I'm over on their blog, talking about how I came to write The Ghostly Father.

Click here to hop over there and see what I have to say.

Thursday, 14 August 2014

STRANGER THAN FICTION

Ten years ago this week, I received, out of the blue, a letter which went on to change my life.  It was to spark off a chain of events which led, a few months later, to my meeting up with the family that I never in my wildest dreams imagined I would ever know.  

It is a long and complicated story, and the whole thing would probably fill an entire book, but the piece that follows is just one small part of it.  During the past ten years I have shared it with family and a few close friends, but now perhaps the time is right for it to have a wider audience.

Tissues at the ready?


THE PHOTOGRAPH

I’ve always been bizarrely fascinated by the kind of stories in which long-lost relatives are finally reunited, and their relationship is ultimately proved, by means of a pair of long-separated objects.  But these stories belong in the realm of fairy tales with unexpected happy endings, not in the real world.  Or so I’d always thought…

As a product of the post-war baby-boom, I was born at a time when money was scarce and luxuries were even scarcer.  For much of my childhood the family didn’t even own a camera, so photographs of my early years are very few and far between.  Hence, the ones which do exist (mostly taken on borrowed Box Brownies) have become all the more valuable.  Which might explain why I’ve kept them all – including one particular picture which, for my whole life, I’ve never really liked.

The photograph is a grainy black-and-white 3” x 2” enprint.  It was taken at my first Christmas, when I was four months old, and shows me (dressed in my best but still baby-bald) sitting propped up on cushions on a dark velvet-upholstered sofa.  I appear to be waving at the camera and half-smiling.  The photo could have been quite pleasing, if it had been a simple above-the-waist shot:





But it isn’t.  It’s a full-frontal.  And thanks to the low angle of the camera and a very unfortunate pose, the picture is dominated by a most unflattering expanse of terry-towelling nappy.


Many a time, when I’ve come across my baby photos during a periodic clear-out, I’ve glared at this pre-pubescent knicker-flasher and reached for the waste paper basket.  But somehow (by divine intervention?) she has always found her way back into the photo box…


*

For as long as I could remember, one of my favourite childhood bedtime stories was the one about how "we chose you to be our very special little girl."  Brought up as an only child, and with little or no knowledge of the facts of life (That Sort Of Thing was just not talked about), I accepted this at face value and had no idea that it was in any way out of the ordinary.  It was only during my first year at secondary school, when adoption was being discussed in a biology lesson, that I finally twigged what that bedtime story actually meant.

The rest of that school day passed in a blur, then back at home I plucked up the courage to ask.  In a way, I suppose I had always known (my adoptive parents were wonderfully frank; they had never attempted, or intended, to conceal it from me), but the inescapable truth still came as a shock.  I was shown the birth and adoption certificates which were issued when my adoption was finalised.  They showed the date of my birth (which I already knew), and that I had been born in Wales (which I didn't know), but contained no other information apart from my post-adoption name.  And for many years after that, it never crossed my mind that I might have had a different name at birth.  Nor did I imagine, at that stage, that being an adoptee might make any significant difference to my life.  I was, and had always been, part of the only family I had known – and in any case, adoption was a one-way ticket.

Or at least, it was – until a change in the law in 1975 made it possible to open doors which had previously remained firmly closed.

And so it was that some time after my adoptive parents died, I made a few tentative enquiries – and eventually obtained a copy of my original birth certificate.  This was when I discovered, for the first time, that my name had not always been Susan.  I had begun life, and had spent the six months before my adoption was legalised, as Edwina.

Further enquiries revealed that my birth parents had subsequently married – and I later discovered that they had even tried, at that point, to get me back.  They went on to have two more children, both boys, and had emigrated to Australia in the 1960s, where my father had died in 1982 and where my brothers (both married and with families of their own) and my mother (who has since remarried) are still living. 

How we finally made contact – and why my parents had not been able to keep me – is another story entirely.  But during the early email exchanges which frequently flew between Manchester and Melbourne, one of my brothers told me that when our mother learned that I had been found, she had shown him a photograph of me as a baby.  I was very moved to learn that she had wanted to keep some small memento of the daughter she had been forced to give away – and even more moved to think that she should still have it, almost half a century later.  He borrowed it from her, scanned it and emailed it to me.  The attachment was labelled “edwina_baby.jpeg”:



Any doubts which I might have had about having finally found my birth family vanished the moment I opened the attachment.  The very photograph which I had always hated had been the very one that my mother had always loved…