Friday, 5 June 2015

HOME CONFLICTS - the background to NICE GIRLS DON'T

Last year (2014) saw the hundredth anniversary of the start of the First World War - the one which at the time was called "The War To End Wars."  Sadly that title proved to be horribly and tragically inaccurate; many more wars have found their way into the history books during the ninety-odd years since the Armistice was declared in November 1918.

One such war took place in the Spring and early Summer of 1982.  This was the Falklands War between Britain and Argentina, fought over the sovereignty of the Falkland Islands in the South Atlantic.  It is this war which forms a distant backdrop for my second novel, Nice Girls Don't.



Like Emily, the heroine of the story, I was too young to remember the Second World War, but I was brought up by people who did.  My parents' and grandparents' generations had lived through one (or in some cases two) major conflicts - the second of which claimed many civilian as well as military casualties.  But the Falklands War was the first occasion in my lifetime when my home country had actively gone to war.  And, just like Emily, I was confused and bewildered.  Would this war, like those before it, also involve conscription and mass-slaughter?  What effect would it have on the day-to-day lives of ordinary people?

This led, in turn, to my thinking back to the other major conflicts of the twentieth century, the effect they had on those who fought and those who served by standing and waiting, and the long shadows which they could still cast over future generations.  What if, when researching one's family history, one discovers secrets which, because of those wars, have been kept hidden for many years because of shame and guilt?



Nice Girls Don't is perhaps best described as cross-genre.  Yes, it's a romance, but it also has a generous helping of mystery and intrigue.  But it is also a story which will, I hope, challenge a few traditionally-held views.  It is difficult to discuss these in detail here without giving away too much of the story, but suffice it to say that whilst two of the episodes described in the book are based on real events, most of the narrative holds up a mirror to the circumstances, ideas and attitudes of the period.  I hope it will appeal to anyone who remembers the 1980s, but I hope also that it will show younger readers (of both genders) how much has changed - hopefully for the better - over the course of a generation.

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