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Wednesday, 28 December 2016


Did you get a Kindle for Christmas?

Or are you just looking for some great reads at a bargain price?

The Great Big Crooked Cat Not Christmas Sale is now on.  Starting today, and for three days only, all Crooked Cat Kindle titles are just 99p/99c each.

Including mine.  Click on the covers on the right to find out more.

Or to browse the whole Crooked Cat collection, click here.

Happy reading!

Tuesday, 27 December 2016

ONE BY ONE - an interview with Beck Robertson

Today I have a brand new guest on my blog: the multi-talented author Beck Robertson.  Beck's latest novel, a psychological thriller called One By One, is due for release by Crooked Cat Books in March 2017.

Welcome, Beck!  What prompted you to first start writing? What was the first thing you wrote?

I was first inspired by a fantastic English teacher I was fortunate to have in High School.  He totally sparked my passion for literature by reading aloud the classics and making them come alive. 

He was a total one-off: a die-hard leftie socialist at a snobby conservative grammar school.  As the poor kid, I naturally gravitated to him. He was never afraid to share his political opinions, and by doing so, forced us all to consider different points of view and stretch our mental boundaries.

He also actively encouraged me to write, and took extra time to comment on my work and tutor me. I will forever owe him a debt of gratitude for recognising and encouraging my love for the written word.

The first thing I wrote outside English classes was some really bad, angst-ridden teenage poetry. I was going through a morbid, gothic phase at the time, so as you can imagine it was truly terrible.  However, it was absolutely wonderful to be able to express myself so freely in a way I just couldn't in my day-to-day life.

Can you summarise your latest work in just a few words?

My next new release is One By One, a dark serial killer thriller that attempts to delve into the psychology of a psychopath. It's set in London, where I lived for many years, and a location that's always been a big inspiration for me. I actually wrote the book while I was still living there, and even while I was at some of the actual locations that inspired scenes in the novel.

One by One is told from two points of view. One is the killer’s, where you learn how he came to be the deranged individual he evolves into.  The other is from the point of view of Jack Grayson, the detective on his trail.

Jack is struggling with issues of his own, such as his workaholic tendencies and his inability to open up, which causes problems in his already fragile marriage.   He's quite an old-school detective, who prefers the hands-on approach to policing, and he doesn't always do emotion or technology very well!  I felt it would be an interesting juxtaposition to place these two emotionally stunted yet very different characters against each other.

What was the inspiration for this book?

After reading Jon Ronsen's fascinating non-fiction book The Psychopath Test, I found myself pondering the question Are psychopaths born or are they made? This is one of the underlying premises which the story explores.

But years before I even read that book, the germ of the story was in my head, with bits and pieces influenced from sources as varied as the plot-twist-laden works of Ruth Rendell to the seamy strip clubs of Soho!

I also drew on some of my own experiences, both as a London native and from the time I spent on the beat as an assistant crime reporter for a local London newspaper.

Did you do any research for the book?

I did do some research to give the novel a sense of grounding and realism, but I didn't want to write a police procedural, where it's much more important to ensure everything is factually accurate. I wanted the book to be largely story and character driven, so I also employed a hefty whack of artistic licence.

Even though some of the place names in the novel are invented, I did do a fair bit of location-based research.   I did this partly because it infuses the description in the book with a bit more life, but also because I found it inspired me to imagine how the characters in the novel would interact in that kind of setting.

What does a typical writing day involve for you?

Putting off getting out of my nice warm bed by reading the news and usually getting into a discussion with my partner about the day's headlines. Morning coffee, then more procrastination on Twitter and Facebook, then in my email.

Then I force myself to actually do some work, first dealing with my Copywriting clients if I have any, and then working on my fiction. When I'm writing a novel I adhere to Steven King's advice and aim to put down at least 2K words a day. When I'm not writing, I'm editing, and the amount I do differs according to my schedule but I usually try to revise 3 or 4 chapters.

I do edit one manuscript and write another simultaneously at times, but it does depend on what else I have cluttering up my schedule. I also spend quite a bit of time before I start writing a novel on constructing a loose outline for the story, as well as a chapter-by-chapter outline, as I find it helps.

After the work day is done, I sometimes read it aloud to my long-suffering partner because it gives me another perspective as to how the story is flowing and often alerts me to clunky phrasing or other things I need to change.

How do you decide on the names for your characters?

I actually never consciously decide this.  Usually names seem to arrive in my mind as the most suitable choice for that particular character. After this happens, it's almost as if I couldn't possibly imagine calling them anything else.  I've been lucky so far with this, though I have thought about asking people their opinions when it comes to character naming, and might do so in the future.

Do you plot your novels in advance, or allow them to develop as you write?

I wouldn't call myself a plotter exactly, but as I mentioned before, I do find having a loose outline to adhere to speeds up the writing process. Initially, when I first started writing, I didn't do this and had to learn the hard way that whilst total spontaneity might sound great, on paper it translates to a plot-hole-riddled mess!

Now I always outline before starting any novel, and also like to fill out character profiles for my main characters to get a feel of how they tick.

The outline is flexible though, and changes according to how the story unfolds.  I couldn't work with a framework that's too rigid as it would stifle my need to let the story tell itself.  I find that the most exciting thing about the writing process is when you're lying in bed at three in the morning and a key part of the plot comes to you that just enriches the story so much more.

Which writers have influenced your own writing?

For crime and thrillers I'm inspired by the work of Brett Easton Ellis, Ruth Rendell, Colin Dexter, and Harlen Coben. I also loved Gillian Flynn's brilliant novel, Gone Girl. I prefer psychological thrillers that play with your mind and keep you guessing as opposed to highly action-driven novels, and I suppose my work reflects that when I write in the crime genre.

That said, I also enjoy the vivid description and immediacy of crime writer Mark Billingham's work, and I do like to include a fair amount of action scenes in my work too.

What has been the best part of the writing process?

The best thing, hands down, is when a reader tells me they enjoyed something I wrote. There is nothing that could compensate for that feeling, not even money. The other things I enjoy are seeing how a story falls into place as I'm writing, and then of course, finally getting to the end and completing a novel.  That's a great feeling of accomplishment.

When is your book due out?  And how are you feeling?

One By One is set for release on March 23rd, and I'm excited about the launch, as it will be my first crime thriller.  When my other books were released, I felt a mix of emotions: pride in actually getting a novel written, nervousness at whether readers would enjoy what I'd created, and trepidation at what to expect.

I've since found that lowering my expectations helps, then when you do get a lovely surprise, like a great review, or hit one of the Amazon Bestseller Categories for a few days, it's just the icing on the cake.

For me, writing fiction is something I have to do – because despite all the effort, blood, sweat and tears, it's somehow part of me. I truly would do it for the rest of my life even if no one ever read my books.  Though of course, I hope they do.

Is there a message for the reader? What do you hope they get from one of your books?

I wouldn't say there's a particular message that's the same for all of them, as they are so different, I've written fantasy, paranormal romance and now crime, and the stories and readership they are aimed at are wildly differing too.

What I would say, though, is there is an element of suspense in everything I write, no matter the genre, as I do like to keep people guessing.  I find that as a reader, a little bit of mystery that slowly reveals itself as the story unwinds is highly enjoyable.

In addition, if you read between the lines you’ll see that each of my books features a deeper theme, and I've taken care to interweave that with the story.  I leave it up to the reader how they interpret that theme exactly, but in One By One I drew heavily on themes of alienation and prejudice.  I think a lot of people can relate to having experienced that at some point in their life, albeit in different ways.

Do you have any advice for new writers?

Just do it. Get words down on the page. Outline before you begin, write your story idea down but put fingers to keyboard, or pen to paper and begin the process of creation. I procrastinated for years before I actually wrote my first novel, and now I wish I hadn't.

Once you've written your first novel, writing the next will still be a challenge – but it will be much, much easier. Nothing is as difficult as getting over that first hurdle.

Also, read everything you can from good writers who have gone before – not just novels they have written, but also any advice they have to give in the actual writing process. I've gained so much this way, though I still have a lot to learn.

Thank you, Beck, for a fascinating discussion.  Please come again!

You can find more about Beck on his website.

Saturday, 24 December 2016

THE GREAT ARCHITECT - a poem for Christmas Eve

Today is Day 24 of the Christmas with the Crooked Cats Advent Calendar, and it's my turn to reveal what's behind the door.

Here, then, is a little Christmas-related ditty.  From all at Barnard Towers, may I take this opportunity to wish you all a happy and blessed Christmas and a peaceful and prosperous 2017.


Building a home, a place of your own,
is a careful and skilled operation;
be it palace or croft, from cellar to loft
you must start with a stable foundation.         

Doors, passages, halls, windows, ceilings and walls
are all signs of great civilisation,
but what makes buildings sound is what’s under the ground –
so there must be a stable foundation.

When the world first began, built to one clever plan,
human life was the greatest creation.
But no matter how fine is the final design,
it must start with a stable foundation.

The Creator, afraid that the world that He’d made
might be heading for hell and damnation,
concocted a plan which could save sinful man –
but it must have a stable foundation.

So with angels in flight, on a Bethlehem night,
to a world cursed with pain and frustration
came One whose sole aim was to end sin and shame;
He began with a stable foundation.

Thursday, 15 December 2016

NEVER ON SATURDAY - now available for pre-order

Dear Friends,

I'm thrilled to be able to announce that the Kindle edition of Never on Saturday (my new time-slip romance novella, based on an old French legend) is now available for pre-order. Just click on the cover image on the right to be taken to your local Amazon website.

Two stories, two heartbreaks: one past, one present...

Leaving her native France and arriving in North Wales as a postgraduate student of History and Folklore, Mel is cautiously optimistic that she can escape from her troubled past and begin a new and happier life.

She settles into her student accommodation and begins work on her thesis, concentrating particularly on one fascinating manuscript: a compelling and tragic tale of a cursed medieval princess.

Then she meets Ray - charming, down-to-earth and devastatingly handsome.  Within days, Mel's entire world has transformed from lonely and frustrated to loving and fulfilled. Despite her failure with previous relationships, she allows herself to hope that this time, at last, she can make it work.

But Mel's dreams of happiness are under constant threat.  She is hiding a dark and terrible secret, which Ray - or indeed anybody else - must never ever discover...