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Monday, 14 December 2020
CHRISTMAS BOOK FLOOD - a special Christmas giveaway
Wednesday, 25 November 2020
WHAT'S MINE, I KEEP - an interview with Alison Knight
Today sees the publication of Alison Knight's novel Mine. I had the pleasure of working with Alison as editor of this story, and she joins me today to talk about this truly amazing tale.
Welcome, Alison!
Mine is a
very moving and powerful story, based on real events from the late 1960s. What first prompted you to write it?
There are a number of reasons why I felt compelled to write
Mine:
Firstly, I was a very young child at the time and my
memories are those of a ten-year-old – filled with confusion and with no
understanding of what had led my ordinary family into this extraordinary
situation. I wanted to write about it to help me understand it from an adult’s
perspective. In that context, it was excellent therapy and helped me to come to
terms with things I’d previously never understood.
Another reason I wanted to write about it was that I wanted
to show the people involved – people that I loved – as I remembered them. It’s
too easy for people to look at the stark facts of an incident and assume that
someone must be fundamentally bad. These weren’t bad people. They were like you
or me – human, with faults. But they were basically good people, and I wanted to
show that.
Finally, after my sister died a few years ago, I realised I
was the only person left who could tell this story. I wanted to write it for my
children and my nieces and nephew so that they would have a chance to get to
know the people they never got a chance to meet.
How much of the story is based on your own
memories?
The scenes featuring Caroline are my memories. Some of the
dialogue, particularly between Jack and his brother Fred, is made up from
snippets of conversations I overheard as a child (including the swearing). It’s
amazing how adults sometimes forget that little ears are around!
The reason that Mine is offered as fiction is that
there are so many gaps in the story, and the people who could fill those gaps
are no longer around to tell us what happened. It’s therefore my imagining
of what might have happened, based on memory, research and pure speculation.
What other sources did you use?
I put together pieces of the story from conversations with
aunts and uncles, my sister and cousins. However, although they were all
supportive of me writing this book, it was difficult to get some of the family
to talk about it as they found it quite upsetting, even decades later, so I had
to be sensitive to that.
I spent some time at the British Library’s Newspaper
Archive, as there were several reports in national and local newspapers. As well
as looking at specific articles about what happened, I was fascinated by what
else was in those papers, from news reports to adverts and the personal columns.
It all gave me a flavour of the time.
I was also given access to inquest files that are usually
closed for seventy-five years. That was one of the hardest things to do, but it
gave me information that I wouldn’t have been able to find anywhere else.
All this still left me with a lot of gaps in the story, so
then I decided to look more closely at the culture of the time – attitudes to
women, the class system, the fashions and music and things that were happening
in those days. This gave me an insight into how people might have reacted to
different situations and what society expected of them.
Did you find any aspects of the writing process
difficult or upsetting?
Yes. This is the hardest thing I’ve ever written about.
While some of it made me laugh out loud as I remembered happier moments, at
other times I could barely see my computer screen through my tears.
On a lighter note, I found it very difficult to imagine and
write about my parents having sex!
Now that the book is published and “out there”,
how do you feel?
I have mixed feelings. I’m proud and pleased that my
publisher loved the book so much. I’m excited because I think it’s the best
thing I’ve ever written. But then I’m slightly terrified. I’m exposing my
family to the world.
I remember having a discussion with my sister about our
mother years ago. It quickly became clear that we each had very different view
of her. It seemed as though we were talking about two completely different
people rather than one woman. I realised
then that we each have our own truth about another person or a particular
situation. Once I began my research, I realised that even witnesses who were
standing next to each other gave differing accounts of the same scene. Each was
sincere, and their statement was their own truth about the matter. As a result, Mine
can only be described as my truth. My worry therefore, is that some of
my relatives may have different memories of that time and may have a different
truth about it. I’ve tried to make it clear to everyone that this is my
imagining of what happened – a mix of memory, research and pure fiction – and
that I haven’t set out to change anyone else’s truth.
Thank you for asking such interesting questions!
Thank you for giving such interesting answers! I wish you every success with Mine. It deserves to do well.
MINE by Alison Knight:
"What's mine, I keep."
London, 1968.
Lily's dreams of a better life for her family are shattered when her teenage daughter refuses to give up her illegitimate child. It doesn't help that Lily's husband, Jack, takes their daughter's side.
Taking refuge in her work at a law firm in the City, Lily's growing feelings for her married boss soon provide a dangerous distraction.
Will Lily be able to resist temptation? Or will the decisions made by these ordinary people lead them down an extraordinarly path that could destroy them all?
Mine - a powerful story of class, ambition and sexual politics.
Kit de Waal, award-winning author of My Name is Leon, said this about Mine:
"A heartbreaking account of love and loss told by a great storyteller. Alison takes you into the heart of the tragedy with compassion, wit and even humour. A beautiful story."
BUY LINK: mybook.to/mineknight
INVITATION TO AN ONLINE BOOK LAUNCH: On Saturday 28th November 2020, Alison will be joining four other authors for a joint event via Zoom called Darkstroke Defined. The five writers will talk about their new books, read extracts and answer questions. The event starts at 8pm UK time. For your free ticket, go to: https://www.eventbrite.co.uk/e/darkstroke-defined-tickets-125793372363
Sincere thanks to Rachel's Random Resources for the opportunity to take part in this blog tour.
Monday, 26 October 2020
STAIRWELL TO HEAVEN - an interview with Dean Bryant
My guest today is my friend and fellow-author Dean Bryant, whose novel The Stairwell will be published by Darkstroke Books this coming Friday (30th October 2020).
I've always loved to write. I had a very inspiring English teacher when I was in primary school (about ten years old). He always read anything I wrote, whether it was homework or just for fun. I still remember when he wrote "Another cracker from the pen of Dean Bryant" at the end of one of my stories. He also prompted me to enter a nationwide poetry competition. One poem from each school would be published in a compilation book. I never thought it would happen, but I won, and still have a copy of the book. Thanks, Mr Casson, wherever you are!
Can you
summarise your latest work in just a few words?
The Stairwell is a horror/paranormal thriller, following two characters as they both begin to experience nightmarish visions that bleed into reality.
What was the inspiration for this book?
Mainly the work of Stephen King and Dean Koontz. They both have such a unique writing voice, and it inspired me to find my own with The Stairwell.
Did you do any research for the book?
Honestly, not much. I did research some procedural things regarding emergency services work, but I feel horror and paranormal fiction allows the writer such freedom. Each writer, when trying to scare their readers, will come up with their own unique way to do so.
What does a typical writing day involve for you?
Most of The Stairwell was written with my father. He lives on the other side of the country, so once every other month we'd get together for a few days. We'd get up in the morning, have a nice English breakfast, then get to writing. By the end of the day we'd realise we'd each written thousands of words. Without him it would have been harder to stay motivated.
How do you decide on the names for your characters?
There are a couple that are named after people I know. The others are completely made up. I tried to stay clear of names I've read in some of my favourite books, to keep them separate in my mind and help me to flesh out their character.
Do you plot your novels in advance, or allow them to develop as you write?
A bit of both. I planned out how many chapters there would be, plus the main event and the ending. I wanted each chapter to end on a cliffhanger. My intent was that the reader would finish reading a chapter about Brandon, then when the chapter about Alice came up they'd be dying to find out what happened to Brandon next - and vice versa. But the rest of the writing wasn't planned, and flowed onto the page as I wrote it.
Which writers have influenced your own writing?
Mainly Stephen King, Dean Koontz and Mark Edwards. I think that anyone who reads one of their books would be able to tell that they had written it without their name being on it. Their writing styles are so brilliant and unique.
What has been the best part of the writing process…and the worst?
The best parts were spending more time with my dad, and exercising my creative muscles. I'm not creative in any other way - I can't draw, sing or play an instrument, so it's good to have an outlet. I'm not sure that there are any processes that I dislike, but perfecting the ending was probably the most challenging. I always knew how I wanted The Stairwell to end, but putting it together can be tricky.
Now the book is about to be published and ‘out there’, how do you feel?
I'm still quite surprised. I mainly wrote it for the enjoyment, and didn't expect to get published. But now, it feels like a dream come true. I feel that somehow I've been working up to this ever since I was that little ten-year-old boy who'd rather spend his free time writing than playing football.
Is there a message for the reader?
Firstly - thank you for reading. I'm incredibly excited to hear what you think, and I'd love to listen to what readers have to say about the ending.
Do you have any advice for new writers?
I'm with you there! My first novel was written in response to the prompt "Write the book you want to read". What can we expect from you in the future?
OOH, that sounds like a great project! Good luck!
Monday, 19 October 2020
WHEREFORE THE BARD?
William Shakespeare, the eldest surviving son of John Shakespeare and Mary Arden, was born in Henley Street, Stratford-upon-Avon, Warwickshire, in April 1564. Information about his early life is sketchy at best (even the exact date of his birth is not known for certain), but he probably attended the local grammar school, and in November 1582 he married Anne Hathaway, who was eight years his senior and three months pregnant. Their daughter Susanna was born in May 1583, followed in 1595 by twins Hamnet and Judith. Hamnet died of plague just eleven years later.
One of my long-term projects is to produce a limerick for each of the plays. That's still very much a work in progress, but in the meantime, two of Shakespeare's other plays - Romeo & Juliet and Julius Caesar - have formed the basis of two of my novels.
Thursday, 15 October 2020
FREE FOR TODAY ONLY - BEATHAN THE BRIGANTE by Nancy Jardine
My dear friend and fellow-Ocelot author Nancy Jardine is delighted to announce that Beathan
The Brigante, the latest addition to her highly-interlinked Celtic Fervour
Series, is *FREE* on the 15th October 2020 across
the Amazon network!
(Psst! And if you’re quick, you should find that some of the other books in the series have a reduced price during this special promotion.)
Book 5, Beathan The Brigante, features young Beathan of Garrigill, but it also depicts the interlinking of his life and that of the Ancient Roman General – Gnaeus Iulius Agricola who is a main character in Books 4 & 5.
Having been captured by the Ancient Roman legions, after the battle at Beinn na Ciche in north-east Caledonia, we pick up Beathan’s story in AD 85 at Trimontium Roman Fort where he is used as a menial fort slave. General Agricola, having been summoned back to Rome by Emperor Domitian, collects Beathan and some other high-ranking hostages at Trimontium Fort and drags them all off in chains.
During the long trek to Rome, Beathan learns surprising things about General Agricola. In turn, Agricola finds aspects to grudgingly admire in young warrior Beathan. Escape from, and revenge against, his captors doesn’t come quickly for Beathan. However, by AD 89 he is back in Brigantia – the land of his birth – where revenge blazes for him at Vindolanda Roman Fort. It’s gratifying that by then he is closer to a reunion with his much-missed Garrigill kin ,and it’s even better that romance with a young Brigante warrior-woman named Torrin has lightened his eventful life, even though he is still only seventeen.
Moving from place to place is a regular feature for the Garrigill Brigantes in the Celtic Fervour Series novels, especially as they become refugees fleeing from Brigantia to Caledonia, but young warrior Beathan can truly say that he is the most widely-travelled across the Roman Empire!
It’s a reasonable assumption that youths matured into men much faster in 1st Century AD, especially if they were subjected to the treatment that’s meted out to Beathan of Garrigill!
Look forward to that **FREE** copy on the 15th October 2020 and enjoy reading about young Beathan of Garrigill!
Link for Beathan The Brigante getbook.at/BeathanTBrigantehere
You can find out more about the Celtic Fervour Series HERE
Nancy Jardine writes historical fiction, time travel historical adventure
and contemporary mysteries. Research, grandchildren, gardening and reading
novels all take up non-writing time. Interacting with readers is a joy at Craft
Fairs and larger venues where she signs/sells paperback versions of her novels.
She enjoys giving author presentations on her books and Ancient Roman Scotland,
though these activities are presently curtailed due to Covid 19!
Tuesday, 1 September 2020
BOOK REVIEW: 365 DAYS OF GRATITUDE by Mariƫlle S Smith
"Gratitude is the wine for the soul. Go on. Get drunk." (Rumi)
Being grateful is easy - when everything goes according to plan. But how do you keep at it, no matter what life throws at you?
Enter 365 Days of Gratitude, the undated daily journal that will help you stay on track.
After years of barely surviving her own emotional minefield, writing coach Marielle S Smith discovered the transformative power of practising gratitude. But, like no one else, she knows that cultivating an attitude of gratitude is easier said than done.
Complete with inspiring quotes, daily prompts, and recurring check-ins, the 365 Days of Gratitude Journal encourages you to create a sustainable gratitude practice too.
Ready to commit to the life-changing power of gratitude? Order your coy of the 365 Days of Gratitude Journal now.
Purchase Links
https://mswordsmith.nl/365daysofgratitude/
Get 50% off the printable PDF until 6 September 2020 with the following discount code: HAPPYLAUNCH.
Go to https://mswordsmith.nl/365daysof gratitude
to claim your copy.
https://www.amazon.co.uk/dp/B08FV15CJN
https://www.amazon.com/dp/B08FV15CJN
My thoughts:
This 365-day journal is therapeutic, uplifting and easy to use. The pages are undated (so the journal can be started at any time of the year), and there are prompts for each day, week and month, with a three-monthly overview at the end of each quarter. Each page prompts the readers to focus on the positive aspects of their lives – something which, in the current climate, we all need more than ever.
I found that taking just a few minutes
each day to reflect on the prompts made me realise that a glass which might
have appeared half-empty was indeed half-full.
As an added bonus, there are regular inspirational quotations such as
the one above.
Highly recommended.
ABOUT THE AUTHOR:
MariĆ«lle S Smith is a coach for writers and other creatives, an editor, and a (ghost) writer. Early in 2019 she moved to Cyprus, an island in the Mediterranean Sea, where she organises private writers’ retreats, is inspired 24/7, and feeds more stray cats than she can count.
Social
Media Links –
Facebook:
https://www.facebook.com/mswordsmith
Instagram: https://www.instagram.com/mariellessmith/
YouTube:
https://www.youtube.com/channel/UCtnYOpjmj83mvMM2L348F1w
There are only two ways to live your life. One is as though nothing is a miracle. The other is as though everything is a miracle. (Albert Einstein)
Sincere thanks to Rachel’s Random
Resources for the opportunity to take part in this blog tour.
Thursday, 20 August 2020
BEATHAN THE BRIGANTE - a guest post by Nancy Jardine
Today is a very special day for my friend and fellow-author Nancy Jardine: it is publication day for Beathan the Brigante, Book 5 in her highly-acclaimed Celtic Fervour Saga series of novels set in Roman Britain.
Welcome, Nancy! Please tell us more about Beathan.
Hello Sue, and thank you for inviting me here today. It’s
been a nail-biting and stimulating few weeks for me getting the book ready for
publishing. And now, I really can’t believe how excited I am that Beathan the Brigante officially launches today with Ocelot Press! It’s available in e-book
and paperback from Amazon, and in paperback format via Ingram Spark for
bookstore and library ordering.
I’ve been excited about all of my book launches, but Book 5 brings one of the main themes of the series to a full circle. The birth of a son to Nara of the Selgovae, a son destined to become a famous tribal leader, happens at the end of Book 1. He is named Beathan, which means ‘life’. As the series progresses, book by book, Beathan grows into a young lad who is very responsible for his age, that maturity sculpted by the events and dangers that he lives through.
Beathan cannot be found after the defeat of the Caledonian allies at Beinn na Ciche, a battle fought against the Ancient Roman legions of General Agricola, though his mother Nara knows in her heart he isn’t dead (end of Book 3). Choosing that event for Beathan was a pivotal point since I could ‘foresee’ making him into a famous rebel leader in a subsequent book of the series.
Though doing that in Book 4 was too soon, since a 13-year-old seemed unlikely to become a renowned ‘Celtic’ warrior. History, fortunately, has indications that it was not an impossible feat at a later teens stage. Another reason for Beathan’s tale not to be told in Book 4 was my desire to expand the Ancient Roman viewpoint. General Gnaeus Iulius Agricola needed some of the limelight in Book 4, since the genuine Ancient Roman Agricola was immensely important regarding the Roman expansion of Caledonia (present day Scotland).
The research for my whole Celtic Fervour Saga Series has been a compelling study. Every Ancient Roman fort that Beathan visits was thoroughly investigated for me to glean some tiny, unusual, detail I could add to the tale. That process, naturally, became unwieldy! At one point the manuscript was sitting at upwards of 140,000 words. It was full of what I regarded as necessary, descriptive prose with lots of dangerous incidents happening to both Beathan and Agricola. But… like the Ancient Roman war machine destroying the tribes of Britannia, I did a high degree of ‘slashing and burning’ during my self-edits and whittled the manuscript down to a size compatible with the other books in the series.
Other themes of the series are further explored in Beathan The Brigante – honesty; loyalty; justice; fair-mindedness – sometimes these coming to the reader in surprising ways. Family love, friendships and less than usual ‘relationships’ are important across the series and Book 5 also features these aspects. Reuniting with family not seen for 5 years is a burning a desire for Beathan, but it’s equally balanced with a yearning for revenge against his Roman tormentors.
Romance, too, plays a role to different degrees and in different ways across the books of the saga. After such a difficult time, Beathan deserves to have some passion in his life. However, enduring happiness rarely comes easily for my Garrigill warriors. Torrin is a feisty Brigante warrior-woman who has her own agendas. When creating her character, I found myself feeling a desperation to live life to the full seems realistic when young lives are likely to be cut short in what is essentially still a war-torn situation.
I do hope that readers of Bethan The Brigante enjoy reading about Beathan’s journey to ‘fame’ and about Agricola’s predicaments, since even a high-ranking Roman general can have enemies.
AD 85, Roman Empire
How can
young Beathan of Garrigill – held hostage by General Agricola and dragged in
chains to Rome – escape and wreak vengeance on his enemies?
Torrin
is a strong-minded Brigante warrior-woman who forges her own future. She
willingly takes care of Beathan in a time of need, but her own plans are paramount.
Agricola's
career is in tatters. Attempts on his life are plentiful, having lost favour
with Emperor Domitian. His gods have abandoned him, though assistance comes
from a surprising source.
Will Beathan gain his freedom to return to his kin in Caledonia? Will Torrin be by his side? And how will Agricola survive without the emperor's benevolence?
Beathan the Brigante is the fifth in the bestselling Celtic Fervour series.
Nancy Jardine writes historical fiction, time travel historical adventure and contemporary mysteries. When not writing or researching (a compulsion she can’t give up), she’ll be with her grandchildren, gardening, or reading novels. She loves to interact with her readers when regularly signing/ selling paperback versions of her novels at local Craft Fairs, and at larger event venues. She enjoys presenting author talks and gives formal presentations on her novels, and on Ancient Roman Scotland, to groups large and small.
She’s a member of the Historical
Novel Society, the Scottish Association of Writers, the Federation of Writers
Scotland, the Romantic Novelists Association and the Alliance of Independent
Authors. She’s self-published with Ocelot Press.
You can find her at these places:
Blog: http://nancyjardine.blogspot.co.uk
Website: www.nancyjardineauthor.com/
Facebook: http://on.fb.me/XeQdkG
email: nan_jar@btinternet.com Twitter
https://twitter.com/nansjar
Amazon Author page http://viewauthor.at/mybooksandnewspagehere
Beathan The Brigante getbook.at/BeathanTBrigantehere
Paperback KDP https://www.amazon.co.uk/Beathan-Brigante-Celtic-Fervour-Jardine/dp/1916003885/
Friday, 7 August 2020
A NOVEL APPROACH - a guest post by Jennifer C Wilson
Tomorrow marks a very special day for Ocelot Press: the launch of its first non-fiction title. A Novel Approach is an excellent book, whether you're just setting out on the writing journey or are already an experienced writer. And I'm thrilled to welcome the author - my great friend and fellow-Ocelot Jennifer C Wilson - to tell the world more about it.
Welcome, Jen!
Hi Sue.
Thank you so much for inviting me onto your blog today, to
talk about A Novel Approach, my first foray into non-fiction!
I’ve said many times how much I love attending writing
workshops. It doesn’t matter whether they’re on poetry or prose, on a
particular skill, or a range of prompts to go off in any direction, I just love
being surrounded by other writers, learning from them, and improving my own
writing. It was from that place then, of finding workshops a great writing
environment, that I decided to run a series of my own last year, and early into
this one.
I called the series ‘A Novel Approach’, after a LOT of
brainstorming, because I had the idea of walking attendees through some of the
key elements of writing long-form fiction, starting with generating ideas,
creating characters etc., building scenes each workshop, so that, although
there wouldn’t necessarily be a finished novel at the end of things, there
would be enough of a roadmap that they could see where it was going.
I’ll be honest, and admit that I don’t tend to get my actual
story ideas from writing workshops. For me, the initial stories usually strike
me as I’m wandering around a historical site, or reading a snippet of trivia
about a place which sparks a thought to go and explore. However, once that idea
has formed, I love workshops and prompts to keep the words flowing. For
example, in the middle of April, a new historical romance idea came to me, but
I was really struggling to put pen to paper. I signed up for a month of daily
writing prompts, and following my synopsis, wrote a scene a day using the daily
exercises. By the end of May I had ~15,000 words, and without the prompts, I
don’t think I would have got anywhere near that word count.
It's often said that the most terrifying thing to a writer
is the blank page. Whether in a notebook or on screen, having all that white,
empty space starting back at you can be daunting. Especially when there’s an
idea in your head that just won’t make that jump onto the page. I think this is
where writing prompts are particularly useful. I used to use one at the start
of a writing session, for an ‘easy way in’ and to get the words flowing,
without having to think too much! As with the month of prompts above, when you
have a scenario or set of characters in your head, but aren’t quite sure what
they’re going to get up to, having somebody give you a scene to put them in, or
something to think about, can be really helpful in getting those first few
paragraphs down. Quite often, once that’s happened, you’re away, which is
always the most important thing.
That’s what I’m really hoping people can get out of A
Novel Approach, then; to find the prompts and exercises I’ve included a
useful jumping-off point to get the ink flowing, whether on screen or on page.
A Novel Approach
Is there a novel in you? Let me help you find out...
Based on my series of workshops held throughout 2019 and into
2020, this book is designed to help writers work through each of the key stages
of their story, including:
-
Idea generation;
-
Creating characters;
-
Describing your settings;
-
Showing vs telling; and
-
Keeping the words flowing when you find yourself
stuck.
As well as the above, I have also added sections on hooking
your readers in, leaving them wanting more, and useful resources as a writer,
including how to dip a successful toe into the world of social media.
The workshops were fun, helping writers of short stories and
novels alike, and I hope these exercises can help you too!
A Novel Approach: mybook.to/ANovelApproach
About
Jennifer
Jennifer C. Wilson
stalks dead people (usually monarchs, mostly Mary Queen of Scots and Richard
III). Inspired by childhood visits to as many castles and historical sites her
parents could find, and losing herself in their stories (not to mention quite
often the castles themselves!), at least now her daydreams make it onto the
page.
After returning to
the north-east of England for work, she joined a creative writing class, and
has been filling notebooks ever since. Jennifer won North Tyneside Libraries’
Story Tyne short story competition in 2014, and in 2015, her debut novel,
Kindred Spirits: Tower of London was published by Crooked Cat Books. The full
series was re-released by Darkstroke in January 2020.
Jennifer is a
founder and host of the award-winning North Tyneside Writers’ Circle, and has
been running writing workshops in North Tyneside since 2015. She also publishes
historical fiction novels with Ocelot Press. She lives in Whitley Bay, and is
very proud of her two-inch view of the North Sea.
You can connect with
Jennifer online:
Facebook: https://www.facebook.com/jennifercwilsonwriter/
Twitter: https://twitter.com/inkjunkie1984
Blog: https://jennifercwilsonwriter.wordpress.com/
Instagram: https://www.instagram.com/jennifercwilsonwriter/
Amazon: https://www.amazon.co.uk/Jennifer-C-Wilson/e/B018UBP1ZO/
Tuesday, 21 July 2020
TO THE MOON AND BACK
Although the Moon Landings might feel like comparatively recent history – particularly in the minds of those who, like me, are old enough to remember them – the concept of space travel is not by any means a modern phenomenon. As long ago as the middle of the 19th century, the idea had been anticipated by the French author Jules Verne, in his novel De la Terre Ć la Lune (1865) and its sequel Autour de la Lune (1869). It was further developed by the English writer H G Wells in his story The First Men in the Moon (1900-1901), and by the pioneering French film director and magician Georges MĆ©liĆØs in his short film Le Voyage dans la Lune (1902), which was inspired partly by Verne's stories. The film, featuring MĆ©liĆØs himself in the main role of Professor Barbenfouillis, can be seen here.
- It used to be thought that the full moon caused madness. The words “lunacy” and “lunatic” are both derived from luna, the Latin word for moon.
- Sputnik 1 was the size of a beachball.
- The Apollo astronauts’ spacesuits were designed by Playtex, a company better known for manufacturing ladies’ underwear.
- The astronauts on Apollo 11 ate cereal (mixed with fruit and packed into cubes), but couldn’t have it with milk in case it floated out of the bowl.
- The average smartphone today contains a more powerful computer than the spaceships which sent the astronauts to the moon.
- Surprisingly, even today, some people apparently still believe that the moon landings were an elaborate hoax! I wonder what they think could have happened...