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Wednesday, 9 September 2015

PRIDE & REGICIDE - an interview with Cathy Bryant

Today I have the great pleasure of welcoming as my guest the amazing Cathy Bryant.  For some years Cathy has been a prolific and prize-winning poet and short-story writer, but 2015 marks the beginning of her career as a novelist.  Cathy's debut novel, Pride & Regicide, will be published by Crooked Cat Publishing on 29th September, and is now available for pre-order by following this link.



Welcome, Cathy!  

Please tell us a little about your new novel, Pride & Regicide.

It's a light-hearted crime thriller set in the world of Pride & Prejudice, three years after the events of Jane Austen's novel. Mary Bennet, together with her best friend Cassandra Lucas, finds herself in the middle of a murder mystery.


What inspired you to write this particular story?

I was looking for my copy of P+P one day and said to myself, "That's funny, I can't find Pride and Regicide. Wait, what?!" It was a simple slip of the tongue and it might have stopped there, except that I remembered one of the minor characters from P+P: Miss King. She was engaged to Mr Wickham and we never did find out why the match was broken off...



This is your first novel, but I know that you’re no stranger to writing.  Can you tell us a bit more about your other work?

I've been lucky enough to have about 200 poems and short stories printed in various magazines and anthologies, and three books published. Two have been published by Puppywolf: Contains Strong Language and Scenes of a Sexual Nature (my first poetry collection), and How to Win Writing Competitions (and make money), where I explain what I did to win 19 writing competitions and literary awards, and how the reader can do it too. My second poetry collection was Look at All the Women, published by Mother's Milk Books, which got some lovely reviews. I write everything, from horror to nonfiction articles.


Wow - that sounds pretty impressive.  Where can readers by these books?

Click here!


As a fellow Crooked Cat author, I’m sure you will agree that Crooked Cat is a wonderful publisher.  How did you first hear about them, and what made you decide to submit to them?

It was by an odd circle of events, really. I have a website designed to help other writers: Cathy's Comps and Calls, in which I list calls for submission and writing competitions that don't require any fees and can be entered, or submitted to, electronically. I listed Crooked Cat on there when they had an open submission window. It so happened that two of my favourite writers (including one Sue Barnard, who wrote a terrific book called The Ghostly Father, you really should read it) had novels published by them, and I was very impressed by the quality of both books and publisher. So when the next submission window came around, I made sure to submit! I am so thrilled that such a prestigious publisher has accepted my novel and they've been a delight to work with.


Please tell us a little about the real Cathy Bryant:

What do you like to do when you aren’t writing?

When not writing I'm generally reading, sleeping, eating, cuddling cats or my other half, or chatting to friends in person and online. I'm not the physically adventurous sort - if I want to travel somewhere exciting, I open a book. I do love to perform, though, and there's little I enjoy more than making a roomful of people howl with laughter.


What is your favourite tipple?

I rarely drink alcohol - probably about four units a year - as with all my painkillers (I have arthritis and a number of other conditions) booze tends to send me to sleep. I like the occasional Amaretto or a good brandy or port. The best wine I ever had was a Beerenauslese 1976, but that was a long time ago. It tasted like liquid sunshine.

So I down a lot of decaf coffee and tea, and a hot chocolate/cocoa hybrid of my own devising. I drink various types of water, too (gosh, Im thrilling, aren't I?!) and I suppose the most exotic thing I sometimes drink is a really good tea - a single estate Darjeeling or a Russian Caravan or Assam. At our Occasional Austen meetings (I am a member of a Janeite group who meet up in Regency dress and talk about Austen-related things (and anything else we like)) I get to sit in my gown and drink good tea while fanning myself. It's rather blissful.


Is there anything which, with hindsight, you would have done differently?

In life, or the novel?! 

Both!

In life - gosh yes! I'd have stopped trying to be sensible about either a career or marriage, and let myself be a writer twenty years earlier; and I'd have spent less time listening to bad 1980s music, I should think.

In the novel - hmmm....I probably should have killed another person, and also involved the servants more - I read Longbourn by Jo Baker and it demonstrated how invisible the servant class was in the novels and society of the time. I have a plan to involve a servant in Northanger Alibi, the sequel to Pride and Regicide. He or she will play a vital part in the uncovering of information.


Tell us three things about you which you think will surprise us!

1. I was struck by lightning and bitten by a poisonous spider on the same day, at a wedding in Tennessee. The bride and groom are still together, fourteen years later, so it wasn't an omen.

2. I was born on Friday 13th, which means that all superstitions are reversed for me. Apparently I'd also make a good witch.

3. My first names are Catherine, Jane and Elizabeth, which have all been used as the names of characters in works by Jane Austen and those of the Brontës (Catherine Morland, Jane Fairfax/Bennet, Elizabeth Bennet; Catherine Earnshaw, Jane Eyre, Elizabeth Hastings).

4. (I am a rebel...)  Although I love to perform and I appear quite extroverted, it's an uncharacteristic aspect of me - I'm really terribly shy, and I've only been able to come out of my shell because people have been so encouraging and kind to me. I get very nervous in company, even (or especially) when I really like the people. Many thanks to all those reading this who are among those who have helped me and supported me. I'd still be quivering unhappily and not daring to try anything without you.


Thank you for being my guest today, Cathy!  Please come again!


Sunday, 6 September 2015

IN FAIR VERONA...

Today I'm over on Cathie Dunn's blog, talking about the city of Romeo & Juliet, and also on Jennifer C Wilson's blog, talking about historical fiction in general.

Hop over and take a look!

Sunday, 16 August 2015

FILLED WITH GHOSTS - an interview with Karen Little

Today I have an extra-special guest on my blog - the fabulously talented artist and writer Karen Little.  Karen and I first met on Facebook last year, and since then we have met several times in real life.  During those meetings she achieved what I'd thought was impossible - she taught me how to produce passable pieces of artwork.  That was something which I'd long since written off as a lost cause!  But I will never be as good as she is...




Welcome, Karen!

You’re a lady of many talents – artist, dancer, poet…  Please tell me a little about your work in those fields. 

I was quite the problem child at my secondary school, but obsessed with painting. At age eleven I had a strange ‘visionary’ way of painting; there would be a pleasant still life of fruit set up and I would be painting abstracts based around bones.     

I ran away from home to London while still a teenager, and didn’t go to Art college at that point. I was in love with Kate Bush, and started doing dance classes at The Place, home of London Contemporary Dance Company, because it was where Kate rehearsed. I auditioned and got into the full time school a year later, and then joined a dance theatre company.  A few years later I did a sculpture degree at Camberwell School of Art.  I was mixing it up, dancing, painting, exhibiting and performing. Oh and I had a son along the way. I have exhibited art and performed as a dancer in London, Germany, and Spain.



I didn’t start writing as my main expression until I came to Manchester five years ago, after living in Spain for six years. I say "came to Manchester," but really I was dragged back by family after a psychotic episode that spanned several months. I painted throughout, and I suppose the ‘visionary’ is apparent in them!      

In Manchester I started doing various poetry workshops, and reading poems at events. In the last year or so I've started submitting them to magazines, anthologies, competitions, and have been surprisingly successful at getting published.


Having read some of your poetry, I have to say I don't find that at all surprising!  And I believe you’re currently working on a novella.  Please can you tell me a little about it? What inspired you to write this particular story?

The novella, Filled with Ghosts, is very recently ‘finished’, and I am starting to hunt out potential homes for it. More than one person has mentioned an element of poetic stream of consciousness in its make-up, and I cannot deny that the initial 40,000 words were written rapidly, through that method. At that point the work began for me, as I structured it, and decided which characters had the POV for a chapter; the story unfolds through several characters’ first person narrations. It is set in Southern Spain, and the story originated as a ten-minute play, which was a fictionalised account of my psychotic episodes in Spain.  Three of the characters in the play appear in the novella, and a narrative version of the play is seeded in there. I am not sure if my writing methods are bizarre, but there is an overlap and crossover between novella, short stories, poems, such that often when I am writing I don’t know in which direction the piece will develop.


What’s next on the creative agenda for you?

The writing of novella two is in progress. I say novella, because I have a tendency to pare things down. Filled with Ghosts was 65,000 words at one point, but the sculptor in me took over.
I am writing poems and reading them at events. Still mixing it up!  Writing short stories too, and if you are interested you can find my most recently published one in this fab anthology. I went to the launch in Wales on 15th August, and five of us read our stories. The proceeds are going to the mental health organisation SANE.




Please tell me a little about the real Karen Little. Is there anything which, with hindsight, you would have done differently?

I think I am quite hard work. Like most people with mental health issues I take enormous advantage of the times when I am able to be sociable and active, because the other side of the coin is complete withdrawal. This doesn’t stop me creating, and much of my painting and writing has been done when for long periods I cannot face a soul. It does feel very precarious, but it is a life-long condition, and I now understand myself more, and am gentler with myself. It was harder when I was young and I would be as confused as everyone else when I suddenly had to walk out on people, things, life, and disappear.

I think I would find it difficult to say "would have done differently." I feel very driven, I feel very fortunate.


What do you like to do when you aren’t writing?

My two young dogs are very demanding at eight and eighteen months old, and need a lot of walking. Animals are my total soft spot. I would love to be somewhere the dogs could just run free. I also have a gecko and fish.       

I paint sometimes, and I read when my concentration lets me. My concentration varies, and some days I can easily write pages of stream of conscious, and many days  go by without my being able to read it back, let alone edit it.



What is your favourite tipple?

Wine. Mmm…If only wine was good for me in large quantities….


Find out more about Karen on her blog and her Facebook page.


Tuesday, 11 August 2015

BARGAIN BOOKS - for this week only!

Just to let you know that all three of my novels are available on Amazon Kindle for just 99p each (or the equivalent in your local currency) for this week only, in the amazing Crooked Cat summer sale.  Click on the book covers on the right to find out more!

Saturday, 8 August 2015

REVOLUTION DAY - a guest post by Tim Taylor

Today I have another extra-special guest on my blog - my friend and fellow-Crooked Cat author Tim Taylor, who is here to talk about Life, The Universe, Revolution, and the Crooked Cat summer sale.

Welcome, Tim!




Hello, Sue, and thank you very much for inviting me to visit your blog.

My pleasure, Tim.  Please tell us a little about your new novel, Revolution Day.

It follows a turbulent year in the life of a fictional dictator, Carlos Almanzor. Now in his seventies, Carlos is feeling his age and seeing enemies around every corner. And with good reason: his Vice-President, Manuel Jimenez, though outwardly loyal, is burning with frustration at his subordinate position. 
                Meanwhile, Carlos’ estranged and imprisoned wife Juanita is writing a memoir in which she recalls the revolution that brought him to power and how his regime descended into repression.
                When Manuel’s attempts to increase his profile are met with humiliating rejection, he resolves to take action, using the resources at his disposal as Minister of Information to manipulate Carlos and drive a wedge between him and Angel, the commander of the army. As Manuel begins to pull the strings, Juanita will become an unwitting participant in his plans.
            There is more information about the novel, plus some tasters, on my website.



What inspired you to write this particular story?

For a while I had been toying with the idea of a novel about someone who has been very powerful but is starting to lose his grip as he becomes an old man. Initially I envisaged him as a king, but when a string of dictators (Hussein, Mubarak, Gaddafi) fell in quick succession I thought ‘why not a dictator?’. Then, as the ideas started to come together, I settled on Latin America because I wanted a strong, politically active female character, which would have been more difficult in a middle-eastern context. 

How does it relate to your previous novel, Zeus of Ithome?

There is one point of similarity in that both novels describe a revolution – and because of that, there is a kinship between the aspirations of certain characters in both novels. But that is more coincidence than anything else; in other respects, they are very different. Revolution Day is set in the present, in a fictional country, whereas Zeus is set in the 4th century BC and chronicles real events – the struggle of the ancient Messenians to free themselves from three centuries of slavery under the Spartans – albeit through the personal stories of fictional (as well as some historical) characters.

As a fellow Crooked Cat author, I’m sure you will agree that Crooked Cat is a wonderful publisher.  How did you first hear about them, and what made you decide to submit to them?

A friend of mine in Holmfirth Writers Group, Kimm Brook (a. k. a. K B Walker) had published a novel (Once Removed) with Crooked Cat, and spoke highly of them. So I submitted the first three chapters of Zeus of Ithome and the rest, as they say, is history! They are indeed very nice people to work with.

Now please tell us a little about the real Tim Taylor!

What do you like to do when you aren’t writing?

Well, I like to play my guitars (I have fourteen!), and a bit of piano. I like walking up (or just being among) hills and mountains, especially on a clear day. I like to visit museums and watch plays. And I must admit that on occasion I succumb to the charms of general slobbing about. 

What is your favourite tipple?

Either Newcastle Brown Ale or a nice red wine, depending on my mood and circumstances.

Is there somewhere you’d love to go but haven’t so far visited?

Oh, so many places!  South America, the Himalayas, China, India. If I won the lottery (or had a huge bestseller) I’d buy a big boat and spend a lot of my time travelling the world. 

Is there anything which, with hindsight, you would have done differently?

If I could have back the few months I wasted getting bored at home before I went to university, I would do a lot of the travelling I have never had time to get around to since then, and go to some of the places I have just mentioned!  At the time, I didn’t realise how rare and precious it is to be free of commitments and responsibilities. 

Thanks again for hosting me, Sue, and for those thought-provoking questions. 

Thanks for coming, Tim; it's been a pleasure.  

BREAKING NEWS: Both of Tim's novels, together with lots of other great holiday reads, are currently just 99p each for a few days only, in the great Crooked Cat Publishing summer sale. Snap them up now, before the price goes back up!

More about Tim:









Tim was born in 1960 in Stoke-on-Trent. He studied Classics at Pembroke College, Oxford (and later Philosophy at Birkbeck, University of London). After a couple of years playing in a rock band, he joined the Civil Service, eventually leaving in 2011 to spend more time writing. 
                Tim now lives in Yorkshire with his wife and daughter and divides his time between creative writing, academic research and part-time teaching and other work for Leeds and Huddersfield Universities.

                Tim’s first novel, Zeus of Ithome, a historical novel about the struggle of the ancient Messenians to free themselves from Sparta, was published by Crooked Cat in November 2013; his second, Revolution Day, in June 2015.  Tim also writes poetry and the occasional short story, plays guitar, and likes to walk up hills.

Tuesday, 4 August 2015

TIME AND TROUBLE - a guest post by Nancy Jardine

Today I once again have the pleasure of chatting to my dear friend and fellow-scribe Nancy Jardine, who is here to talk about her new mystery thriller, Take Me Now.




Welcome back, Nancy!  Over to you...

Thank you, Sue!

How much trouble is time with you? Hmm. That might sound like an odd way to introduce a blog post but, for me, the aspect of time is a huge factor in my novels.

Getting the timeline correct for my contemporary mystery thriller Take Me Now took a little work since my main female character, Aela Cameron, has a finite amount of days in her temporary employment contract with Nairn Malcolm. There’s no hanging about for Nairn who likes everything done in a hurry – even though he’s a tad incapacitated. The mystery needs solved before what is potentially lethal really does become a deadly outcome, so the days are numbered in the storyline.

In Take Me Now, I wanted to convey two main things about Nairn Malcolm. One was that a normally active and energetic alpha male like Nairn would have major difficulty with incapacitation and wouldn’t stop doing what he normally does just because he’s sporting a pair of crutches under his armpits. The second thing was that someone like Nairn’s business schedule would still be equally as important to him as finding the saboteur who is both harming his businesses and himself.

The sequence of events in Take Me Now is compressed into a few short weeks, the temporary contract for Aela being set at one month. I dithered a little over that decision because the healing of broken bones averages at around 6 weeks but then concluded that after four weeks an enterprising invalid will have found sufficient strategies to make being ‘almost normal’ a workable thing. Since I wanted to inject some humour into the novel, I’ve made Nairn’s initial weeks after his mysterious accident very action-packed, though also very frustrating for a developing romantic situation. Crutches and broken ribs do not make a casual amorous clutch!

I’ve personally never suffered from any bone fractures so imagination had to kick in big time when I wrote the novel. How about you? Would you say it’s a reasonable assumption to state that after around four weeks, even though still in plaster cast/s an accident victim will have ‘almost’ normal mobility? And that an alpha male, aided by an equally alpha female (if there is such a phrase), would manage to cope much sooner in the recuperation phase, as Nairn has?

Whatever your answer, I thoroughly enjoyed creating my damaged Highland Hero- Nairn Malcolm in Take Me Now.

Thank you for inviting me here today, Sue - it’s lovely to pop in to see you…




Nancy Jardine writes historical romantic adventures (Celtic Fervour Series); contemporary mystery thrillers (Take Me Now, Monogamy Twist, Topaz Eyes - finalist for THE PEOPLE’S BOOK PRIZE 2014), and time-travel historical adventures for Teen/YA readers (Rubidium Time Travel Series). All historical eras are enticing and ancestry research a lovely time-suck. She regularly blogs and loves to have guests visit her blog. Facebook is a habit she’s trying to keep within reasonable bounds. Grandchild-minding takes up a few (very long) days every week and any time left is for reading, writing and watching news on TV( if lucky).

Find Nancy at the following places
About Me   

 Goodreads   Twitter @nansjar  Google+ (Nancy Jardine)   YouTube book trailer videos   Amazon UK author page   Rubidium Time Travel Series on Facebook  http://on.fb.me/XeQdkG

Friday, 10 July 2015

NO MORE WOE FOR JULIET AND HER ROMEO - WRITING THE BOOK YOU WANT TO READ



It's more than thirty years since I first saw Franco Zeffirelli's wonderful 1968 film of Shakespeare's Romeo & Juliet.  There wasn't a dry eye in the house at the end, and I came away thinking: This is the world's greatest love story - so why does it have to end so badly?

That question haunted me for many years.  Then, a few years ago, I chanced across one of those lists of Things You Must Do Before You Die.  A lot of them didn't really appeal, but one which did catch my attention was Write The Book You Want To Read.  The book which I've always wanted to read is the alternative version of Romeo & Juliet - the version in which the star-cross'd lovers don't fall victim to a maddeningly preventable double-suicide.

Why, I asked myself, should there not be such a book?  And the answer came straight back: Why not indeed?  And if it doesn't exist, then go ahead and write it.

I mulled over the idea, but it took a while before anything definite happened.  I'd dabbled with Creative Writing in the past, and had taken a few courses on the subject, but I'd never attempted to write anything longer than poems, or short stories, or the occasional stroppy letter to The Times.  The thought of tackling a full-length novel, even one on a subject about which I felt so strongly, was a daunting prospect.  Then, in one of those serendipitous moments which really make one believe in Guardian Angels, I was browsing in a bookshop in France when I came across a novel which took the form of the lost diary of a woman who had been the secret lover of Count Dracula.  A voice in my mind whispered, "A lost diary?  You could do something like this..."

Back at home I powered up the laptop and started writing.  I was writing the book mainly for myself, because it was the outcome which I'd always wanted, but when I'd finished the first draft (which took about six months) I showed it to a couple of close friends, who both said "This is good.  You really ought to take it further."

Even so, despite this vote of confidence, it was another year or two (during which time the manuscript underwent several revisions) before I plucked up the courage to submit it to Crooked Cat Publishing (for whom I'd recently started doing editing work).  I wasn't very hopeful, so when I received the email from them telling me they wanted to publish it, I had to print it out and re-read it four times before I could convince myself that I hadn't imagined the whole thing.

The book's title, The Ghostly Father, is based on a quotation from the play (it's how Romeo addresses the character of Friar Lawrence), and the story, which is a sort of part-prequel, part-sequel to the original tale, is told from the Friar's point of view.  I've always been fascinated by the Friar and have often wondered why, in the play, he behaved as he did - and by giving him what I hope is an interesting and thought-provoking backstory, I've tried to offer some possible answers.  Plus, of course, I wanted to reduce the overall body-count, and give the lovers themselves a rather less tragic dénouement.

The book was officially released on St Valentine's Day 2014.  Since then, judging by the number of people who have bought it, read it, and have been kind enough to say they've enjoyed it, it seems as though I'm not by any means the only person who prefers the alternative ending.  As one friend was generous enough to say to me recently: "Now I will never feel sad in Verona again."

To buy The Ghostly Father (in paperback or ebook format), click here.